Nothing happened there, so during the game, I really didn’t think about it. That was an alley-oop (attempt) that was on his fingertips for a fraction of a second. “That one is a pretty amazing picture and (at first) I didn’t even realize it was a good shot, simply because there wasn’t any dunk or anything there. But look at those two shots and you’ll see exactly what I’m talking about, that even though the time on the clock is exactly the same, you have two different pictures."
One of the drawbacks of the Flash Wizard II system is you have to anticipate a little more. If I would have just hit my camera, I would have probably got it just like Paul did, but you have to give it a little bit longer to take into consideration all the cameras to fire correctly. It’s still 0.8 seconds, but that’s the difference when you push that button. So the difference, if you look at the clock, it’s 0.8 seconds on both pictures, but one the ball is straight up in the air and in the other, the ball is in the rim already. "If you take those two shots and you want to learn about the Flash Wizard II system, it shows you that with (that system) when you take a picture it takes a little longer than if you were just hitting the camera in your hands, because you have to take into consideration all the other cameras and account for that time that you program the units to actually take the picture. I wouldn’t give anyone the opportunity to even think about stealing that jersey, which happened to Jordan when (he wore No. Jordan walks in and he still has his shorts on, a championship shirt – I’m pretty sure he has his jersey on underneath and I don’t blame him. I was there with Andy, Walter Iooss, and Bill Smith, the Bulls photographer, and a couple of NBA video film crews. This one happened to have a baby grand piano in it.
I’m just following Andy, and (next thing you know) we’re in a suite at the Marriott, it’s one of those suites where you have a room on each side and a big living room suite in the middle. All of a sudden, I’m on the elevator with Andy, Ron Harper … and we go up and the elevator opens up. “I take pictures as they’re getting off the bus and one of the last guys to get off is Andrew Bernstein, I had no idea he was on the bus, and he goes ‘come on, let’s go Fern.’ I just follow him, I have no idea what’s going on, I’m just happy to be here.
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